Pilot Light
A Journal of 21st Century Poetics and Criticism
 
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Barbecue and Bourbon: On the Grace of Jake Adam York
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After Jake died, I couldn’t listen to Radiohead. Because I could hear him in the undersong. And then I couldn’t not listen to them. Because I could hear him in the undersong.

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Lost email thread: A running back and forth about the shows in St. Louis and Denver. Song titles with a series of exclamation points. Thom Yorke and band refracted a thousand times over in sharded mirrors that hung down, translucent. An eye here. A bobbing bald pate drumming. Thom flapping like a Prospect in his leather cut. They played The Amazing Sounds of Orgy!!! Can you believe it?

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After Jake died, there was an essay about the last time I saw Jake, poems solicited and written while on my elbows, gratitude for a grinder, a sieve. There was silence. Then I started to listen again.

Gagging Order over and over and then How to Disappear Completely. Move along; there’s nothing left to see. I’m not here. This isn’t happening.

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